Szavanna_blog

Remixing openness, music and guru-shishya parampara

Category : USA

Throw Down Your Heart

bela

From the films website @ throwdownyourheart.com :

“Throw Down Your Heart” follows American banjo virtuoso Béla Fleck on his journey to Africa to explore the little known African roots of the banjo and record an album.  It’s a boundary-breaking musical adventure that celebrates the beauty and complexity of Africa – an Africa that is very different from what is often seen in the media today.

As Ugandan folk musician Haruna Walusimbi states in the film:  “There is this negative thinking about Africa.  There is nothing good in Africa.  They are beggars, there is HIV/AIDS, they are at war all the time.  But that is just a very small bit of what Africa is.”  Béla’s trip provides a glimpse into the incredibly rich and diverse musical traditions of Africa.

At first glance, it might seem odd that the banjo is the catalyst for this journey.  But in fact, the banjo is originally an African instrument.  And Béla Fleck’s passion for the banjo runs deep.  In his trailblazing 30-year career, Béla has brought the instrument into jazz, pop, classical, and world music settings, and won eight Grammys along the way (not to mention the 20 nominations, in more distinct categories than anyone else, ever).

Ever since he started playing music, Béla heard stories about where the banjo came from.  To many, the banjo is seen as a uniquely American instrument – and even conjures images of white Southern stereotypes.  But the banjo is actually a descendant of an African instrument.  West Africans have long played an instrument that looks and sounds much like the banjo.  When slave traders captured West Africans, many of the slaves brought that instrument, and the knowledge of how to make it, to the United States.  On plantations in the American South, slaves were not allowed to play drums, but they were allowed to play the banjo.  Soon, whites started copying it, and the banjo evolved into the instrument we know today – and became a part of American culture.  Béla wanted to go to Africa to trace the roots of the banjo, the instrument that defines who he is.

But Béla’s journey was also motivated by a deep love of African music.  Béla was inspired by music from all across the continent, and very often he could hear a place for his banjo.  When Béla had a year off from his band, Béla Fleck and the Flecktones, he realized it was the perfect opportunity to follow his dream – travel to Africa to collaborate with African musicians.

“Throw Down Your Heart” is a feature documentary that follows Béla’s musical adventures through four African countries:  Uganda, Tanzania, The Gambia, and Mali.  Along the way, he works with a wide array of musicians – from local villagers who play a twelve-foot xylophone, to a family that makes and plays the akonting (thought by many to be the original banjo), to international superstars such as the Malian diva Oumou Sangare.

As Béla travels across Africa, he forges both musical and personal connections.  Using his banjo, he transcends barriers of language and culture, finding common ground with musicians from very different backgrounds and creating some of the most meaningful music of his career.

Anoushka Shankar – Rise

Anoushka Shankar

Anoushka Shankar

Shankar began training on the sitar with her father as a child, gave a public performance at the age of thirteen, and signed her first record contract at 16.[1]

She released her first album, Anoushka, in 1998. Later, in February 2000, Shankar became the first woman to perform at The Ramakrishna Centre in Kolkata. Both Shankar and her half-sister, Norah Jones, were nominated for Grammy awards in 2003.[1]

Shankar, in collaboration with Karsh Kale, released Breathing Under Water on 28 August 2007. It is a mix of classical sitar and electronica beats and melodies. Notable guest vocals include her half-sister, Norah Jones, Sting, and Ravi Shankar who performs a sitar duet with his daughter.

Rise

Rise

Rise

Rise is an album by Anoushka Shankar released on September 27, 2005. This album was chosen as one of Amazon.com‘s Top 100 Editor’s Picks of 2005 (#82). On previous recordings, she followed in her father’s footsteps, Ravi Shankar, by performing relatively traditional, raga-based music. Rise, however, is another animal entirely, incorporating jazz, pop, and pan-ethnic world-music textures in an unpredictable melange. At the center of it all though are Shankar’s unerring sitar expertise and traditional Indian roots.

video link : http://www.youtube.com/watch?v=0HNoKT1_-qc

visit Anoushka’s site at www.anoushkashankar.com.

Anoushka Shankar official site

Anoushka Shankar official site


Paul Simon – The boy in the bubble

The Boy in the Bubble

It was a slow day,
And the sun was beating
On the soldiers by the side of the road,
There was a bright light,
A shattering of shop windows
The bomb in the baby carriage
Was wired to the radio,
These are the days of miracle and wonder,
This is the long distance call,
The way the camera follows us in slo-mo
The way we look to us all,
The way we look to a distant constellation
That’s dying in a corner of the sky,
These are the days of miracle and wonder
And don’t cry baby don’t cry
Don’t cry,

(Pause)

It was a dry wind,
And it swept across the desert
And it curled into the circle of birth,
And the dead sand,
Falling on the children
The mothers and the fathers
And the automatic earth,
These are the days of miracle and wonder,
This is the long distance call,
The way the camera follows us in slo-mo
The way we look to us all o-yeah,
The way we look to a distant constellation
That’s dying in a corner of the sky,
These are the days of miracle and wonder
And don’t cry baby don’t cry
Don’t cry

(Pause)

It’s a turn-around jump shot
It’s everybody jump start
It’s, every generation throws a hero up the pop charts,
Medicine is magical and magical is art think of
The Boy in the Bubble
And the baby with the baboon heart

And I believe
These are the days of lasers in the jungle,
Lasers in the jungle somewhere,
Staccato signals of constant information,
A loose affiliation of millionaires
And billionaires and baby,
These are the days of miracle and wonder,
This is the long distance call,
The way the camera follows us in slo-mo
The way we look to us all o-yeah,
The way we look to a distant constellation
That’s dying in a corner of the sky,
These are the days of miracle and wonder
And don’t cry baby don’t cry
Don’t cry don’t cry

oooooooooEmmmmmmmmmmm……..

video link : http://www.youtube.com/watch?v=GykbnvufIZE

Dante Bucci – Fanfare

Dante Bucci

Dante Bucci

This is a solo acoustic version of “Fanfare” performed on the PANArt Hang. D minor penta on my lap, F major on my right.

website : www.dantebucci.com

Babel

Babel poster

Babel poster

Read the Wikipedia page here.

BABEL is the crowning achievement in the trilogy from the unstoppable creative pairing of screenwriter Guillermo Arriaga and director Alejandro Gonzalez Innaritu, which also includes AMORES PERROS (2000) and 21 GRAMS (2003). Building upon its predecessors’ method of weaving together disparate storylines, BABEL reaches new heights of ambition with a tale that, in the absence of traditional narrative and protagonist, relies on numerous incredible performances to evoke an affecting relevance by framing contemporary issues in very human struggles and mistakes. Richard and Susan (Brad Pitt and Cate Blanchett) are a wealthy couple from San Diego who are vacationing in Morocco in order to heal after the death of their young child; their other two children are at home with their Mexican maid, Amelia (Adriana Barraza). In a complex shift of ownership to which the audience is privy, a rifle finds its way into the hands of a local herdsman’s young sons (Said Tarchani and Boubker Ait El Caid), who recklessly take a shot at a tour bus and catch Susan in the shoulder, causing her to nearly lose her life. The distraught Richard calls home to tell Amelia of the situation, who promptly departs for Mexico to attend her child’s wedding, with Richard and Susan’s children in tow. Disaster thus multiplies, with the situation in Morocco ascribed to terrorists in the media, while Amelia meets with the harsh immigration policies of the Bush administration. Meanwhile, in Tokyo, a widower (Koji Yakusho) tied to the rifle in question attempts to deal with his memories and his raucous, promiscuous, deaf daughter (Rinko Kikuchi). Nearly every performance of the film is devastating, offering an intimate, emotional experience that would approach melodrama if it weren’t rendered so realistically. Cinematographer Rodrigo Prieto’s color palette masterfully captures the muted tones of the harsh natural landscapes of Morocco and the Mexican border, as well as the fluorescent lights of Tokyo that denote another, though equally barren, end of the spectrum. The misunderstandings born of cultural, language, and class barriers are on par with those that occur between family members, depicting a world that, while connected in the least expected of ways, is also faced with a deep-seated crisis that threatens to alienate humanity from itself. ( from here )

Trailer


A conversation with no words in it :)

Anyone is up for a translation to English?

Bobby Mcferrin & Omar Hakim

video link : http://www.youtube.com/watch?v=9e3RhuZKSxg

Surrender your whole being to a note, and gravity disappears…with one chord, John Lee Hooker could tell a story as deep as the ocean.
~ Carlos Santana ( quote from here )

Samba Pa Ti

video link : http://www.youtube.com/watch?v=WzSayxVM_E0

John Lee Hooker – Rain

video link : http://www.youtube.com/watch?v=qThmM5-y_Ok